<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>A.G. Cook • Rave Colony</title>
	<atom:link href="https://ravecolony.com/tag/a-g-cook/feed/" rel="self" type="application/rss+xml" />
	<link>https://ravecolony.com</link>
	<description>Indonesian Dance Music Chart</description>
	<lastBuildDate>Fri, 02 Jan 2026 09:37:49 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://ravecolony.com/wp-content/uploads/2025/04/cropped-logo-rave-e1752203863138.png</url>
	<title>A.G. Cook • Rave Colony</title>
	<link>https://ravecolony.com</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Hyperpop: The Internet-Driven Future of Pop Music</title>
		<link>https://ravecolony.com/news/hyperpop-the-internet-driven-future-of-pop-music/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hyperpop-the-internet-driven-future-of-pop-music</link>
		
		<dc:creator><![CDATA[Rave Colony]]></dc:creator>
		<pubDate>Fri, 02 Jan 2026 10:00:00 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[100gecs]]></category>
		<category><![CDATA[A.G. Cook]]></category>
		<category><![CDATA[Charli XCX]]></category>
		<category><![CDATA[Grimes]]></category>
		<category><![CDATA[Hyperpop]]></category>
		<category><![CDATA[osquinn]]></category>
		<category><![CDATA[Rina Sawayama]]></category>
		<category><![CDATA[SOPHIE]]></category>
		<guid isPermaLink="false">https://ravecolony.com/?p=7463</guid>

					<description><![CDATA[<p>Hyperpop blends surreal lyrics, high-pitched vocals, and internet culture, shaping queer, DIY, and experimental sounds for a new pop generation.</p>
<p>The post <a href="https://ravecolony.com/news/hyperpop-the-internet-driven-future-of-pop-music/">Hyperpop: The Internet-Driven Future of Pop Music</a> first appeared on <a href="https://ravecolony.com">Rave Colony</a>.</p>]]></description>
										<content:encoded><![CDATA[<div class="wp-block-uagb-image uagb-block-a892a40e wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-none"><figure class="wp-block-uagb-image__figure"><img loading="lazy" decoding="async" srcset="https://ravecolony.com/wp-content/uploads/2026/01/images-2.png ,https://ravecolony.com/wp-content/uploads/2026/01/images-2.png 780w, https://ravecolony.com/wp-content/uploads/2026/01/images-2.png 360w" sizes="auto, (max-width: 480px) 150px" src="https://ravecolony.com/wp-content/uploads/2026/01/images-2.png" alt="Hyperpop" class="uag-image-7464" width="300" height="168" title="images 2" loading="lazy" role="img"/></figure></div>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



<p>Hyperpop is taking the music world by storm, and Food House perfectly embodies its irreverent spirit. </p>



<p>Their track <em>Metal</em> opens with the line, “Hey Siri, is Ronald Reagan dead?” </p>



<p>Siri’s response “Ronald Reagan was born Feb. 6, 1911 and died June 5, 2004” elicits a resonant “thank f****** God” from the duo. </p>



<p>This playful irreverence perfectly captures hyperpop’s subversive spirit. </p>



<p>The genre thrives online as a microgenre defined by surreal lyrics, overblown bass, and high-pitched vocals.</p>



<p>The genre traces its roots to mid-2000s electronic music, with early influences from artists like Grimes, Sleigh Bells, and even Kesha. </p>



<p>It gained traction with the rise of <a href="https://www.instagram.com/agcook404/" target="_blank" rel="noopener nofollow" title="">A.G. Cook</a>’s P.C. Music label in 2013, which marked the start of experimental pop’s broader influence. </p>



<p>Soon, artists such as <a href="https://www.instagram.com/charli_xcx/" target="_blank" rel="noopener nofollow" title="">Charli XCX</a>, <a href="https://www.instagram.com/sophie_msmsmsm/" target="_blank" rel="noopener nofollow" title="">SOPHIE</a>, and <a href="https://www.instagram.com/100gecs/" target="_blank" rel="noopener nofollow" title="">100gecs</a> further popularized the sound. </p>



<p>Today, Spotify’s “hyperpop” playlist acts as a launchpad for emerging artists exploring this ever-evolving style.</p>



<h3 class="wp-block-heading">The Sound of Hyperpop</h3>



<p>So, what does it sound like? </p>



<p>It is deliberately strange. Critics often describe it as unlistenable noise. </p>



<p>The genre typically follows the conventional pop song structure but pushes every other element to the extreme. </p>



<p>Glitches, metallic synths, and distorted vocals are common, but the genre’s defining feature is its refusal to conform.</p>



<p>Moreover, hyperpop defies strict categorization. </p>



<p>Many artists fuse elements of rock, metal, trap, and hip-hop into their tracks. </p>



<p>Laura Les of 100gecs notes that the genre has evolved to be flexible, encompassing a broad range of styles, which makes it harder to pin down. </p>



<p>This fluidity reflects hyperpop’s core principle: subverting both form and content.</p>



<p>Media outlets such as The New York Times, Vice, and Pitchfork have increasingly covered hyperpop, questioning whether it represents the future of pop. </p>



<p>Part of the reason is its connection to a generation shaped by technology, neoliberalism, individualism, and capitalism. </p>



<p>The genre thrives online, particularly within queer communities, exploring social media angst and resisting preestablished norms.</p>



<p><strong>Read more:</strong> <a href="https://ravecolony.com/news/harmony-marks-the-uns-80th-anniversary-in-music/" target="_blank" rel="noopener nofollow" title="">HARMONY Marks the UN’s 80th Anniversary in Music</a></p>



<h3 class="wp-block-heading">Starts from Internet</h3>



<p>The internet forms hyperpop’s foundational framework. </p>



<p>Independent artists experiment with home-produced music and online distribution. </p>



<p>For example, osquinn released the track <em>Bad Idea</em>, which drew inspiration from a Twitter argument. </p>



<p>The song quickly gained attention and reached one million Spotify listeners in just a few months. </p>



<p>This level of success is particularly remarkable for an independent artist.</p>



<p>This accessibility makes the genre democratic and explains its diversity of styles. </p>



<p>During the 2020 quarantine, many hyperpop albums were produced rapidly from home, highlighting the genre’s adaptability.</p>



<p>Nick Canovas from <em>Mic the Snare</em> describes hyperpop as “extremely online<img src="https://s.w.org/images/core/emoji/17.0.2/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />®©.” </p>



<p>He explains that the genre reflects the struggle of living in an overly technological world. </p>



<p>Social media, he notes, offers users multiple versions of themselves, but each version comes with its own limitations.</p>



<p>It also critiques capitalism and consumerism. </p>



<p>Rina Sawayama’s <em>XS</em> critiques conventional wealth markers, while Grimes’ <em>Miss Anthropocene</em> confronts the immense threat of climate change.</p>



<p>Notably, many prominent hyperpop figures are transgender. </p>



<p>By disrupting conventional sound and visual culture, these artists also challenge norms around gender performance and identity. </p>



<p>Songs like Arca’s <em>Nonbinary</em>, Dorian Electra’s <em>Emasculate</em>, SOPHIE’s <em>Faceshopping</em>, and Kim Petras’ <em>TRANSylvania</em> explore gender through a hyperpop lens.</p>



<p>With its postmodern, surreal lyrics, the genre mirrors the experiences of the first generation raised online. </p>



<p>Academic fields like Cultural Studies and Media Studies could gain valuable insights from studying hyperpop. </p>



<p>The genre challenges traditional ideas of representation and identity. </p>



<p>In today’s digital era, it offers a unique lens to explore how online culture shapes self-expression.</p>



<p>At NYUAD, for example, students should explore both the technical and cultural aspects of hyperpop to better understand contemporary pop music.</p>



<h3 class="wp-block-heading">A Voice to Social Media Generation</h3>



<p>Ultimately, hyperpop gives voice to a generation shaped by social media, online culture, and imposed gender and sexuality categories. </p>



<p>Hyperpop aligns closely with queerness, anti-capitalist values, and environmental awareness. </p>



<p>This alignment allows the genre to challenge conventional ideas about technology. </p>



<p>It also questions traditional notions of representation in music and culture.</p>



<p>Most importantly, it democratizes music production, offering independent artists a platform to innovate.</p>



<p>As the genre hyperpop slowly breaks into the mainstream, its diverse and unconventional aesthetics are gaining attention. </p>



<p>These bold sounds and visuals are shaping the next generation of pop artists. </p>



<p>They inspire musicians to pursue original, daring, and revolutionary paths in their work.</p>



<p>This genre not only pushes boundaries, it may also point to the future of music itself.</p>



<iframe data-testid="embed-iframe" style="border-radius:12px" src="https://open.spotify.com/embed/playlist/37i9dQZF1EIfL7d6emSgbY?utm_source=generator" width="100%" height="352" frameBorder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><p>The post <a href="https://ravecolony.com/news/hyperpop-the-internet-driven-future-of-pop-music/">Hyperpop: The Internet-Driven Future of Pop Music</a> first appeared on <a href="https://ravecolony.com">Rave Colony</a>.</p>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
