
Brazilian Afro House artist Curol has released a striking new take on Monolink’s track “Beacon.”
The remix arrives today through Embassy One as part of an ongoing series that revisits songs from the 2025 album The Beauty Of It All.
Following earlier remixes by Yamagucci and Maxi Meraki, this release adds a new layer to the project.
Each artist has approached the material in a distinct way.
However, Curol’s version stands out for how deeply it transforms the original while preserving its emotional core.
Read more: MAXI MERAKI Reimagines Monolink’s “In My Place”
How Curol Created The Remix
To begin with, she blends Afro House rhythms with the track’s melodic depth.
Instead of simply adjusting tempo or structure, she rebuilds the foundation from the ground up.
As a result, the remix feels both familiar and entirely new, like rediscovering a known space from a different angle.
Moreover, Curol drives the track forward with strong percussion and a rich low-end groove.
These elements pull listeners into a more hypnotic flow.
At the same time, subtle melodic details move around Monolink’s vocals, creating a balance between introspection and dancefloor energy.
This contrast gives the remix its unique character.
Importantly, she keeps the original emotion intact while reshaping how the track evolves.
Rather than relying on surface-level changes, she rethinks how the music moves and connects.
This approach allows the remix to stand on its own while still honoring the source material.
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Career Trajectory
Beyond the track itself, this release also highlights Curol’s growing influence.
She continues to shape Brazil’s Afro House scene while pushing for stronger female representation in electronic music.
Over time, she has built an impressive global presence.
Her career includes performances at major events such as Rock in Rio, Tomorrowland, Lollapalooza, and Ushuaïa Ibiza.
In addition, she has appeared at Amsterdam Dance Event and even performed during the Paris Olympics.
These milestones reflect both her versatility and wide reach.
Furthermore, her achievements continue to grow.
She has appeared on 1001Tracklists’ The Future of Dance list for four consecutive years.
She also became the first Brazilian woman to release on All Day I Dream.
Meanwhile, her tracks often reach the top positions on platforms like Beatport and Traxsource, showing her appeal across different audiences.
At the same time, Embassy One’s remix series keeps expanding in a thoughtful way.
Instead of choosing similar artists, the label brings in diverse voices from across electronic music.
Consequently, each release offers a new perspective on Monolink’s work.
In the end, this approach highlights the strength of his songwriting.
The tracks adapt to different styles without losing their identity.
With Curol’s remix now available on all platforms, it is likely to gain traction across clubs and festivals in the coming months.