
DJ and electronic music producer Whisnu Santika has once again cemented his role as a pioneer of Indonesian Bounce with the release of four fresh tracks.
These songs blend local flavor with global competitiveness, offering a new way to enjoy Indonesian pop—more rhythmic, more danceable, and ready to light up international dance floors.
Whisnu began developing Indonesian Bounce early in his career through sonic experimentation.
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He drew inspiration from baile funk, Dutch house, Brazilian rhythms, and breakbeat.
Whisnu shared that he aimed to create something that felt familiar yet fresh—a kind of music that could make people move while still carrying an Indonesian essence.
Interestingly, the genre found its momentum during the pandemic.
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While many faced setbacks, Whisnu continued to push forward.
He toured cities across Indonesia, sharing the Indonesian Bounce experience with audiences eager for something new.
According to Whisnu, people craved entertainment during those challenging times and welcomed new sounds, which gave him space to explore.
Today, Indonesian Bounce enjoys broader recognition—not just among electronic music fans but also in mainstream pop audiences.
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New Tracks from Whisnu Santika
This year, Whisnu released four standout tracks that highlight his commitment to breaking away from old patterns.
His remix of “Mangu” by Fourtwnty and a collaboration with Judika on Bagaimana Kalau Aku Tidak Baik-Baik Saja bring emotional depth to electronic music.
These songs are not just about booming basslines—they also carry meaningful stories and touching lyrics.
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On the other hand, his track Are You Ready, released on Spinnin’ Records, promotes collaboration over competition.
Whisnu explained that he wants music to start with unity rather than rivalry.
He sees the music world as expansive, where everyone has room to share the stage.
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Featuring Akeey and Canadian artist Liquid Silva, the song serves as both a party anthem and a statement on industry mindset.
Another key release, Lov3, marks Whisnu’s deliberate step into the international market.
Collaborating with Sorn, he designed the track to appeal to audiences across Southeast Asia and beyond.
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He expressed his vision for Indonesian music to be heard not only in Jakarta, but also in Bangkok, Seoul, and even Ibiza,
Not just as listeners, but as artists on the global stage.
Whisnu’s dynamic and open production style aims to bridge local and global markets.
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He firmly believes Indonesian music has the potential to become club anthems.
So long as it comes with relevant production and genuine emotion.
For him, the key lies in constant refinement and fearless experimentation.
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Ready for Global
In a world dominated by algorithms and foreign hits, Whisnu brings a renewed sense of identity to local music.
Indonesian Bounce stands not only as a genre but also as a declaration.
Electronic music from Indonesia can stand tall on the global stage.
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By embracing collaboration, crossing genres, and weaving personal stories into pulsating beats, Whisnu Santika shows that Indonesian music doesn’t need to follow outdated formulas.
He actively encourages fellow musicians to help shape a bolder and more diverse future for the country’s sound.
These four new releases are more than just songs—they represent a strategic step in building a stronger ecosystem for Indonesian electronic music.
And once again, Whisnu Santika stands at the forefront of that movement.