
Sisca Saras takes the lead in a new cross-border project that brings hipdut to a wider global audience.
The project brings together Sony Music Indonesia and Sony Music Japan in a cross-border collaboration.
From this partnership, a new idea begins to take shape.
She then joins forces with Ayaka Yasumoto, who is also known as NecoMe.
Together, they work on a single titled Swipe Kanan Kiri, blending their styles into one cohesive track.
This release marks an important step in introducing Indonesian music to the Japanese market.
To shape the track, the team selected F4dli from FloorInc. as the producer.
He previously gained attention through viral releases, which led both labels to approach him for this project.
He later shared how the collaboration first came together.
It started when Sony Music Indonesia connected him with their Japanese counterpart.
From there, the process began to develop naturally.
The team in Japan showed a clear interest in his signature sound, which then opened the door for further discussions and eventually led to the collaboration.
From there, discussions developed naturally until both sides agreed to create a song that blends two cultures into one cohesive piece.
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New Experience for Sisca Saras
For Sisca Saras, the project offered a fresh and exciting experience.
She felt enthusiastic about working with an international artist, especially since both performers share similar backgrounds as idols.
She also noted that the creative process required careful coordination due to language differences.
With the help of translators, the process moved forward with more clarity.
Both artists took extra care during the songwriting workshops to stay aligned at every step.
They paid close attention to meaning, tone, and delivery.
Because of that, the track still feels cohesive, even though it blends two different languages into one song.
The recording sessions took place in January 2026 when the Sony Music Japan team traveled to Jakarta.
Within just five days, the team completed two songs, one music video, and several supporting content pieces.
This fast-paced production created strong momentum, which led to the decision to release Swipe Kanan Kiri on April 10.
The release date also aligns with NecoMe’s ongoing activities in Japan.
The Creative Process of The Song
The choice of hipdut as the main musical direction plays a key role in the project.
This genre, which blends hip-hop elements with dangdut influences, has recently gained popularity among younger audiences.
The team brings these styles together with a clear purpose in mind.
They want to shape Indonesian music into something that feels more accessible to a global audience.
From there, they see Japan as the first step in that journey.
It becomes an entry point, opening the door for the music to reach listeners beyond its original scene.
F4dli approached the production with a clear starting point in mind.
Dangdut and koplo became the foundation that shaped the track’s core rhythm and groove.
From there, F4dli began to build on that base. He added Japanese-inspired melodies and layered in distinct sound textures.
Step by step, those elements came together to form a result that feels fresh, unique, and instantly recognizable.
Sisca welcomed the concept with enthusiasm. She enjoys hipdut’s relaxed and upbeat character, which made the recording process feel natural.
She also found it engaging to perform a song that combines energetic rhythms with bilingual lyrics, adding a new dimension to her artistry.
First Step to Global Stage
From a broader perspective, Sony Music Indonesia views this project as an important milestone.
It not only introduces hipdut to a wider audience but also opens new opportunities for cross-cultural collaboration.
The label expects this release to help Sisca Saras expand her international reach while strengthening NecoMe’s presence beyond Japan.
Looking ahead, both teams plan to continue developing similar collaborations.
They have already returned to the studio for further sessions, this time involving different artists as part of the ongoing Indonesia–Japan music exchange.
With Swipe Kanan Kiri, Sisca Saras and NecoMe present more than just a single.
They introduce a cultural bridge that connects two music scenes, offering a sound that feels both familiar and refreshingly new.