
Tomorrowland 2026 closed out its two weekends of performances at De Schorre in Boom, Belgium.
The festival ran from July 17 to 19 and again from July 24 to 26, with artists playing across many stages throughout both weekends.
A number of songs kept turning up across those sets, ranging from brand-new releases to tracks that have stayed DJ favorites for years.
According to Tomorrowland, PROSPA and Cloonee’s “Free Your Mind” topped the list as the most played song across the full festival.
Bountyhunter’s “Woops,” in its Dimitri Vegas & Junkie Kid and BRANDON remixes, followed in second.
“Makina Time” from Dimitri Vegas & Like Mike, Marlon Hoffstadt, and DJ Konik took third.
The rest of the Top 10 included several more tracks.
Martin Garrix and Third Party’s “Carry You,” ANOTR’s “Talk To You,” and Dimitri Vegas and Pat B’s “Turn The Tide” made the list.
Hugel and Solto’s “Jamaican (Bam Bam),” Avicii’s “Levels,” and Pupa Nas T and FOVOS’s “Work Edit” rounded it out, along with various remixes of Rihanna and Calvin Harris’s “Where Have You Been.”
What the Top 10 Shows About Tomorrowland 2026’s Most Played Tracks
The combined ranking across both weekends shows newer releases taking the top spots, while several older records stayed in circulation throughout the festival.
PROSPA and Cloonee’s “Free Your Mind” finished first overall.
The remixes of Bountyhunter’s “Woops” followed, along with Dimitri Vegas & Like Mike, Marlon Hoffstadt, and DJ Konik’s “Makina Time.”
Martin Garrix and Third Party’s “Carry You” and ANOTR’s “Talk To You” also featured prominently, rounding out the tracks with the strongest showing across the two weekends.
Further down the ranking, Avicii’s “Levels” and Rihanna and Calvin Harris’s “Where Have You Been” showed that early-2010s records still worked their way into sets alongside much newer music.
1. PROSPA & Cloonee – Free Your Mind
Plays: 7
PROSPA and Cloonee released “Free Your Mind” in 2026, bringing the UK duo together with one of house music’s most prominent names.
The track centers on a repeated vocal phrase, a driving bassline, and a fast-moving house arrangement.
PROSPA’s rave and house influences meet Cloonee’s more club-focused production in the collaboration.
That combination gives DJs a track that fits easily into house, tech house, and festival sets.
Its repeated vocal and direct structure also make it easy to mix in and out without losing the part listeners recognize most quickly.
Seven plays during Tomorrowland 2026 Weekend 2 made “Free Your Mind” the most played track of the weekend.
2. Bountyhunter – Woops (Dimitri Vegas & Junkie Kid Remix / BRANDON Remix)
Plays: 6
“Woops” dates back to the early 1990s. It has continued to resurface through newer remixes that introduce it to different generations of electronic music listeners.
More recently, versions from Dimitri Vegas & Junkie Kid and BRANDON pushed it back into current DJ sets.
BRANDON’s remix takes the track in a house direction while keeping the original’s recognizable elements intact.
Having multiple current versions also gives DJs more flexibility in how they use “Woops” across different styles and set tempos.
Six plays during Weekend 2 ranked the track second among the weekend’s most played songs, showing how an older rave record can return through newer remixes and still land among the festival’s most frequent plays.
3. Dimitri Vegas & Like Mike, Marlon Hoffstadt & DJ Konik – Makina Time
Plays: 5
Dimitri Vegas & Like Mike, Marlon Hoffstadt, and DJ Konik released “Makina Time” in January 2026 through Smash The House.
The track reworks elements tied to Marlon Hoffstadt’s “It’s That Time,” keeping its recognizable vocal and rave-influenced ideas while pushing them into a faster, festival-focused version.
That combination of familiar elements and harder, faster production gives DJs a record that works across trance, hard dance, and broader electronic sets.
That range helps explain why it appeared repeatedly throughout the weekend.
Five plays during Weekend 2 ranked “Makina Time” third among the weekend’s most played tracks, just six months after its release.
4. Martin Garrix & Third ≡ Party – Carry You (feat. Oaks & Declan J Donovan)
Plays: 5
Martin Garrix and Third ≡ Party released “Carry You” in February 2024, with vocals from Oaks and Declan J Donovan.
The track first surfaced during Garrix’s Ultra Music Festival Miami 2023 set.
The collaboration marked the first release between Garrix and Third ≡ Party since “Lions in the Wild” in 2016, bringing them back together for another progressive house record centered on a prominent melody and vocal-led breakdown.
The track had already become familiar through Garrix’s live sets before its official release.
He occasionally used it as his show intro during 2023.
Five plays during Weekend 2 ranked “Carry You” fourth among the weekend’s most played tracks, more than two years after its release.
5. ANOTR – Talk To You (feat. 54 Ultra)
Plays: 5
ANOTR released “Talk To You” featuring 54 Ultra, continuing the Amsterdam duo’s move toward house records built on live instrumentation and vocals alongside their electronic production.
54 Ultra’s vocal gives the track a clear focal point. The bassline and percussion keep it easy to work into house sets without losing the song itself.
The track has also picked up remixes from artists including Faul & Wad and NO ONE since its release, giving DJs additional versions to use across different types of sets.
Five plays during Weekend 2 ranked “Talk To You” fifth among the weekend’s most played tracks.
Read more: Tomorrowland 2026 Weekend 1: Top 10 Most Played Tracks
6. Dimitri Vegas & Pat B ft. Sylver – Turn The Tide
Plays: 7
“Turn The Tide” traces back to Sylver’s debut single from 2000, a Belgian trance record written by Regi Penxten and Wout Van Dessel that became one of the group’s best-known releases.
More than 25 years later, Pat B brought the vocal and melody back through his own harder version before joining Dimitri Vegas and Sylver for the newer rework heard throughout 2026.
The track keeps the parts that made the original instantly recognizable while updating it for the faster, harder styles now appearing across festival sets.
That balance helped it move between nostalgic familiarity and a current release.
Seven plays at Tomorrowland 2026 Weekend 1 tied “Turn The Tide” for the highest number of appearances that weekend, giving a Belgian dance classic a new chapter more than two decades after the original came out.
7. Hugel & Solto – Jamaican (Bam Bam)
Plays: 4
Hugel and Solto released “Jamaican (Bam Bam)” through MoBlack Records, reworking elements of Sister Nancy’s widely sampled “Bam Bam” into a house record built on percussion, bass, and the familiar vocal.
The track gave Solto one of his first major releases. It also helped introduce his percussion-heavy house sound to a wider audience alongside Hugel.
Its connection to a vocal that DJs and listeners already recognize makes it easy to place within house and Afro house sets, while the newer production keeps it sounding current.
Four plays during Weekend 2 ranked “Jamaican (Bam Bam)” seventh among the weekend’s most played tracks.
8. Avicii – Levels
Plays: 4
Avicii released “Levels” in 2011, and it became one of his most recognizable tracks.
Its central melody and Etta James vocal sample grew closely associated with the early-2010s EDM era.
The track has remained a regular part of festival and DJ sets long after its release.
Artists keep playing the original alongside edits, mashups, and updated versions.
Its structure also makes sections of the track easy to work into different kinds of electronic sets without playing it in full.
Four appearances during Weekend 2 ranked “Levels” eighth among the weekend’s most played tracks, continuing its presence at Tomorrowland 15 years after its release.
9. Pupa Nas T & FOVOS ft. Denise Belfon – Work Edit
Plays: 4
Pupa Nas T and FOVOS released “Work Edit” on June 12, 2026, featuring vocals from Denise Belfon.
The track follows the continued revival of “Work,” a record that has picked up several new versions and remixes over the years.
The 2026 edit pushes the track into a faster hard dance and techno direction. The extended version runs at 152 BPM.
Even at that pace, it keeps Denise Belfon’s recognizable vocal at the center.
That combination gives DJs a version of “Work” that fits more naturally into harder and faster sets while still carrying the vocal that ties it back to the original record.
Four plays during Weekend 2 landed “Work Edit” as the ninth most played track of the weekend, only weeks after its release.
10. Rihanna, Calvin Harris – Where Have You Been (Various Remixes)
Plays: 4
Rihanna released “Where Have You Been” in 2011 on her sixth studio album, “Talk That Talk,” with Calvin Harris among the producers behind the track.
Its house-influenced production and repeated “where have you been” hook made it one of the album’s biggest dance records.
Numerous remixes and edits have since given DJs different versions to work into electronic sets.
More than a decade later, those updated versions keep bringing the song back into clubs and festivals without relying solely on the original recording.
“Where Have You Been” earned four plays during Weekend 2. That placed it among the weekend’s 10 most played tracks.
It shows how a 2011 pop release can keep finding its way into DJ sets through new remixes and edits.
A Mix of New and Familiar Across the Tomorrowland Festival
Across the full festival, the ranking reflected a wide spread of sounds. Current house and harder dance music both featured heavily.
Remixes and updated versions of familiar songs rounded out the mix.
“Woops” and “Levels” stood out from the rest. Both show how certain older records keep getting worked into sets consistently.
That holds true even as newer names move around them across a lineup this size.
At the same time, tracks such as “Free Your Mind,” “Makina Time,” “Work Edit,” and “Jamaican (Bam Bam)” tell a different story.
They show how quickly newer releases can move into regular festival rotation. That happens when several DJs pick them up within the same event.
Taken from Tomorrowland’s full 2026 data, the ranking gives a useful snapshot of what was actually being played most often across the festival.
It combines current releases, new interpretations of older records, and songs that have held their place in DJ sets for more than a decade.